Remaining INVISIBLE is an ART today, but it’s not so difficult … we can learn from nature how it works.
This track is dedicated to my invisible friend Antares and his (un)natural chaotic disappearing.
Remaining INVISIBLE is an ART today, but it’s not so difficult … we can learn from nature how it works.
This track is dedicated to my invisible friend Antares and his (un)natural chaotic disappearing.
I’m not sure about the destination: Past or Future? I’ve too many things to indagate in the past, and sincerely I don’t wish to know how brilliant is the future, or maybe I don’t want delusions … and you?
• Quick link to > TIME TRAVEL & PARALLEL UNIVERSES
• An interesting search for Time Travellers > SEARCH FOR TIME TRAVELERS
… but I wonder whether a Time Traveller is interested in such a search.
I needed a place where to find all my music, images, videos and music with my friends and from my friends. Here it is, finally!
SPIRESVORTEXMUSIC
Though the track’s title is different, this time inspiration comes from a film.
That’s rare indeed, but U2 are somehow my source of inspiration (together with other irish sounds and rockblues), Daniel Lanois and Wenders too.
About this film, it was the year 2000. Since then, things have quickly changed, our way of life more and more conditioned by technology and public sharing, but I often think that it’s just a (conditioned) illusion.
This intro scene represents somehow my long adolescence … till 2000, I’d have been dead, instead it was the beginning of a new era (if I like it or not).
I played with my own memory about the film, or better: with my feelings about the film, watching the scene just yesterday, when I tried listening to my music with it.
No words for this one … just my subconscious playing …
You know, this film is a masterpiece used and abused. Anyway, this track by Black Horses (& SpiresVortex guitar) works perfectly with it. Have a good Freaks Show!
A strange reaction in front of some bitter fruits of life.
… or DISTANT GALAXIES
A painter is lost if he finds himself.
That’s wonderful, said by an octogenarian artist.
MAX ERNST

Naissance d’une galaxie (Birth of a galaxy) was created in the year of the first moon landing. Man had conquered the lunar symbol of the yearnings of Romanticism (a cultural epoch so important for Ernst) and found only empty, rocky silence. As if by way of a replacement, Ernst allows a new galaxy, its circular disc patterned with dots, to arise out of the nebula of primeval forms inhabiting the lower border of the picture. This galaxy is located in the imagination – and in the picture seen here. Entirely in keeping with Ernst’s fantastical natural history, the eternal, ethereal realm and the here and now of artistic invention converge in the moment of this picture.